photo by Elizabeth Sisson

photo by Elizabeth Sisson

Hi-Fi Christmas Guitar

Hi-Fi Christmas Guitar is a 14-song instrumental album featuring classic Christmas songs played in a variety of genres, including jazz, western swing, rock & roll and classic country. This record has become a bit of a cult classic since its original release in 2017, even making The Rolling Stone 2018 list of notable Christmas albums! Hi-Fi Christmas Guitar is a multi-track guitar extravaganza in the tradition of Les Paul, Chet Atkins, Jorgen Ingmann, and many more of my biggest heroes and influences. It is released on my independent record label, Ventrella Records in Chicago, and is distributed by Bloodshot Records and can be ordered here.

“All class. This record is fantastic.” – Connor Ratliff, Rolling Stone

Hi-Fi Christmas Guitar is an ultra-sleek recording that — like much of Paterson’s career — turns conventional wisdom upside down. As fitting a salute to Les Paul as one might imagine.” – Howard Reich, Chicago Tribune

“Surveys a slew of familiar songs with meticulous, gorgeous, and spry arrangements” – Peter Margasak, Chicago Reader

Featuring: Joel Paterson, guitar, steel guitar and pedal steel; Beau Sample, bass; Alex Hall, drums

Engineered by Joel Paterson and Alex Hall in the summer and fall of 2017

Mixed and mastered by Alex Hall at Reliable Recorders / Hi-Style Studio in Chicago, IL

photo by Elizabeth Sisson. Design by Joel Paterson

photo by Elizabeth Sisson. Design by Joel Paterson

If you would like to read some more info, here are my liner notes for the album:

Season’s greetings to you all in Hi-Fi! I’ve been kicking around the idea of recording a Christmas guitar album for a while now. Every year I faced the same problem—I would get excited to play Christmas songs around the holidays, but couldn’t finish an album in time to release it before December. In 2016, I posted a series of guitar videos online counting down the days to Christmas. The response to them was overwhelming to me; it was great to know there was still a demand for classic Christmas music. So this summer I got motivated, locked myself in my music room to assemble some of my favorite seasonal songs, and started working on “Hi-Fi Christmas Guitar.”

While recording, I realized that a holiday album needs no stylistic boundaries. This was a chance for me to explore different genres of American music, and pay tribute to some of my favorite jazz, western swing, and country guitar players. It was also an opportunity to further explore multi-track guitar recording, an art form pioneered by Les Paul in the 1940s and ‘50s. I always marvel at how he and guitarists such as Jorgen Ingmann and Buddy Merrill conceived of and executed their densely layered albums. I know this style is of interest to guitar enthusiasts, but maybe not as much to the average music fan. So the challenge was to delve into this genre to satisfy myself and guitar fans, while still retaining the melodies and feel of these familiar Christmas standards.

The album kicks off with “I Saw Mommy Kissing Santa Claus.” The original, recorded by 13-year-old Jimmy Boyd in 1952, is a little grating (to put it mildly), but I always liked the melody, and I love later recordings by The Ronettes and Jimmy McGriff. I used this tune to create my own Les Paul-style “guitar orchestra” arrangement.

Bing Crosby introduced “I’ll Be Home For Christmas in 1943.” My arrangement is not based on any particular version, but I evoked Jorgen Ingmann’s “Apache” throughout, and this space-age mood is accentuated perfectly by the percussion of Alex Hall. While searching for definitive Christmas melodies, I often referenced Bing Crosby and Chet Atkins. These two giants of American music were a big influence on my arrangements of “Mele Kalikimaka,” “Silver Bells,” and “Winter Wonderland.”

Frank Sinatra recorded “Have Yourself a Merry Little Christmas” three times. My arrangement was most influenced by his first version from 1947. In later recordings, the lyrics were changed to be more upbeat. But for me, hearing a mellifluous young Sinatra with the original lyrics, and the beautiful string arrangement of Axel Stordahl, always strikes the perfect bittersweet Christmas chord.

“I’ve Got My Love to Keep Me Warm” is a seasonal jazz standard written by Irving Berlin that might be forgotten these days, but was often included on Christmas albums of yesteryear. I love the melody, and used it to try my hand at arranging a big band-style guitar orchestration. Irving Berlin also wrote “White Christmas.” The guitar tracks on my version were recorded on Christmas Day a few years back, starting the process that resulted in this album.


“Jingle Bell Rock” and “Rockin’ Around The Christmas Tree” are my tribute to the studio musicians known as the “Nashville A-Team.” They backed up Bobby Helms and Brenda Lee on the original versions, and are responsible for the sound of countless country and pop records of the 1950s and ‘60s. I can’t hear these two songs without the stinging guitar accents of Hank Garland, a seminal guitarist who recorded one of the most jaw-dropping jazz albums ever (“Jazz Winds From a New Direction”), and is also responsible for the classic lead part on “Little Sister” by Elvis Presley. I stayed in a Nashville mood for the Elvis classic “Blue Christmas” (played here as a Ray Price shuffle), and with “Pretty Paper,” a country waltz written by Willie Nelson that was a hit for Roy Orbison in 1963. “Jingle Bells” is a tribute to Don Rich, lead guitarist for Buck Owens and his Buckaroos. 

I’m tucking you in with the beautiful melody, “Christmas Time is Here,” written by Vince Guaraldi for “A Charlie Brown Christmas.”

Thank you for spinning my Christmas record, I hope it gives you a sentimental feeling and conjures up some of your favorite holiday and musical memories. I would like to give a big thank you to everyone who encouraged me to record “Hi-Fi Christmas Guitar”; I couldn’t have finished it without you! – Joel Paterson, 2017

Special thanks to: Duchess the cat, who endured the recording of this album, put up with me listening to way too much Bing Crosby in July, and deserves partial producer credit.